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“In Tagg’s scheme invisibility is but a convenient conduit that enables these (the working class, underaged, criminally insane, native people, ethnic subcultures and so on) more or less powerless subjects to be represented by the forces of post-modern oppression.”

—	Circulation of “Invisible, Invisibility, Invisible Art” and globalization of the school of thought that was introduced by Paul Jaisini in a society based on visible commodity production and exchange, based on visibility as totalitarianism.